I've knit up two Meret Berets (pattern by Woolly Wormhead) with the merino I dyed last week. It is much too hot to model them so I'll show you flat pictures. This is the Chalcedony colourway. And this is raindrop:
This merino is softer than cashmere. So lovely!
I'm writing my summer knitting patterns and packing my painting materials for my trip to Canada. I get so busy before I leave!
I love dying yarn! It combines several of my passions; colour, painting and yarn! Last night, I demonstrated dying to my friend Dawn.
I took two skeins of Colourmart merino and painted on acid dyes. I then steamed them and Voila, the colour is set. If you you are a knitter and don't know about Colourmart, you are really missing out: great value, (mostly cashmere), high quality yarns.
I call this colourway raindrop. It is mostly pale blue-greens with a sprinkling of lilac.
This is Chalcedony. I was aiming for a semi-solid here, the colour of a chalcedony stone in my friend Henny's (check out her website, she's a great painter) earring.
I think I got it. I'll have to see what Henny thinks.
I've also been to the Hayward Gallery to see the Walking in my Mind exhibition. Not so interested all the junk in the men's minds but delighted to discover Yayoi Kusama and her polka dot hallucinations.
Me so happy!
Another post? So soon? Yup. I need help. I have a knitting query.
I love this sweater (Veronique) from French Girl Knits.
It's a great circular shape. It looks pretty in the lacy mohair (Kidsilk Haze is known as the crack of yarn, in knitting circles).
But I think I would be bored knitting so much plain stockinette. Plus I have this lovely skein of Pagewood Farm lace yarn in a colour that looks like melted crayons.
I'm tempted to knit this shape using a combo of lace yarns in a simple twisting vines pattern.
And trimming all the edges with a garter version of this stitch in a two row stripe with some Dream in Color, go go grassy green.
Is this madness?
Obviously I would have to compensate for the gauge difference. Knitting it in the round, I'll be casting on 486 whooping stitches!
Can anyone see the folly of my ways before I begin?
Should I just knit a shawl with these yarns instead? I'm feeling uncertain.
I've been on a hat-knitathon for various reasons. Who wants to knit socks? Hats are faster and will attract more admiration. Elizabeth Zimmerman recommends them as the perfect portable summer project. I agree.
I've been knitting from other people's instructions, which I don't usually do, but thought I would give a whirl for variety and to learn what works and what doesn't, in pattern writing. So far all my experiences have been good.
Here are some of my favourite hats so far.
This is Ana by Adrienne Thomas, knit in Casbah by Handmaiden yarns. Such a beautiful yarn with just a little bit of cashmere in it. It has a lovely gentle sheen.
This is a kind of pirate turban which is easy to wear and looks great on loads of people, including boys. I will be making more of these with my hand dyed yarns.
I also love the Picot Edge Hat By Carolyn at So Much Yarn, So Little Time! My version is quite different but that seems a common denominator amongst many of the hats knit from this pattern. It is a very flexible pattern.
I've made mine slouchier, with a lacier pattern on top and a big ole crochet flower on the brim. I love the way the large picot garter stitch band frames the face. And I love any hat the gives me a nice big area to trim with a crochet flower.
I made this in a beautiful silk/Alpaca from Blue Sky Alpaca. It took more than one ball but it was worth it. Should go back and buy another ball and make a second, as this hat isn't for me and I want one!
There are loads more but I don't know if I can take seeing another picture of myself on this blog today. Here, look at some strawberries from the market. It's Wimbledon and Strawberry season!
Enjoy!
This idea of mine to post on a single topic, over a month, is not working out.
My interests and activities changed and I didn't make the time to shift gears and post about sewing from Japanese clothes books. Sorry.
I think I'm going to return to my previous format and post about what I'm currently interested in. I will come around to more sewing info eventually, but you might as well know what I'm up to now.
With my discovery of Ravelry, my interests moved back to knitting and crochet. They were already on their way there but this helped get the fire going. I've been doing a lot of knitting from other people's patterns and dying my own yarns.
This one is called Sweet Ernie.
And I made a beret called Honest Ernie with removable flower pin.
I love neckwarmers, cowls and shawlettes. Especially in my hand-dyed cashmere.
Along with the dying, my paints have come out again, too. I'm just mucking around at the moment. Getting warmed up.
Much more to come!
This is the third post in my month of dressmaking series. I wanted to discuss choosing a pattern that is appropriate for your shape and wardrobe. But when I started to do this I realized that I only really knew what worked for my top heavy figure. However, I'll share that with you and point out some other places to look for ideas.
I'm not a big believer in Trinny and Susannah style fascism. I think everyone comes out of this show looking like identi-kits. It's much more important to enjoy what you're wearing than displaying your cleavage to maximum potential. Please take anything I say with a pinch of salt and wear what makes you happy. Because this Japanese style of clothing is layered it can look good on all sizes but it's also very loose which can put you into the tent category.
The following pictures come from Pomadour's eBay site. She sells all these Japanese books, including two pattern books with multi-sizing. The covers follow.
The first book is designed for a larger size than usual (Bust 96 cm, Waist 88 cm, and Hip 108 cm, a pear shaped UK size 16-18, American size 14-16, European size 46-48) and shows everything modeled on a shorter, heavier model.
Most of the designs are pretty similar to the other books but there are a few scary ones like this.
A tunic with a draw string across the hips and ankle strap sandals is brave territory if you're not tall!
The next book is interesting because it shows the same styles modeled on a variety of figures with slight variations in length. Their biggest model is still not very big by European or American standards (that's her on the right, about a UK size 14-16).
But I like the look of this book because it shows how making small adjustments like changing the length can flatter (or otherwise) different figures. Take a look at the pictures below and on Pomadour's eBay site to see what I mean.
Personally, I think the girl on the right would do better with a shorter dress length, don't you?
For my own figure I need to avoid dresses like this:
which go out at the chest and carry on. My chest is my largest point and this really gives me a tent silhouette. Much better are dresses like this
which fit close over the chest and can taper in the bodice to the waist. I usually have to drop the waistline a few inches though as I'm long in the body. I also add bust darts, once again to avoid the tent effect. I'll be showing you how to make these pattern adjustments in the next few weeks.
I'm delighted to say that the Flickr group I started, for sewing women's clothing from Japanese pattern books, is growing and there are a good number of photos showing people modeling the designs.
If you feel these photos don't inspire you because many of the models are younger and thinner, check out Flickr's Women over 40 looking fabulous. This is a great inspiration to me.
There is a great article about sewing from Japanese patterns on this blog.
For all you knitters and crocheters, I've just joined Ravelry. What took me so long, eh? It's amazing!
My next post will be about choosing fabric for your patterns.
Hi Guys,
I'm back with a clean studio. I got older while I was gone, but I'm feeling some wisdom too, so it's not all bad. Now, to finally get on with a Month of Dressmaking!
My second post on this subject shows me wearing some of the designs I have already made from Japanese dressmaking books. These are all incredibly simple patterns to make. The shapes are easy to cut, fit and sew and the instructions are straight forward.
If you're in your twenties (or younger) and very thin, you can assume the clothes will look similar to the pictures in the books. If you're older, live in a different climate, taller or wider you will need to use your imagination a little.
I am a UK size 12-14, which is about a European 40, US 10-12, or size medium. I wear an F cup bra which is my biggest fitting problem and I'm 5'5 or 1.65m tall. I'm tempted to pepper my post with disparaging remarks about my looks, but I won't comment about how the designs translate for my age and size if you don't! You can make up your own mind about whether these are flattering styles for an older and bigger woman.
The first tunic is from Pochee volume 6 and has several variations of sleeve and trim included in the pattern. Here it is worn by a very cool looking model. I love the patch on her jeans.
Now here's me in a tartan cotton/wool blend. I've made it with no sleeves, one pocket and lace trim at the neck. I wear it a lot with various coloured skinny jeans, elastic-waist trousers, skirts and scarves.
During the winter I always wear a close fitting, colourful, long
sleeved undershirt as my base layer. In these photos I'm wearing a
chartreuse one but I pick them up in as many colours as I can find. I
also wear this tunic with purple or cream undershirts. Sometimes I pick
up on the lace edge and wear all tea-stained and antique colours.
The next piece is a coat dress with a two-part sleeve. The upper part of the sleeve is cut on the bias and the lower part has a tuck so that it flutes out. It can be made with just the shorter piece for sleeves...
or with no sleeves.
I have made it both ways.
In this first set of photos I am wearing the full sleeve version. I have given it three different buttons at the top front and then left it open at the skirt. The pattern doesn't include the button opening. The front and back bodice pieces are the same so you can choose whether to wear it with the centre slit in the back or front. I adjusted it to have a dart in the front bodice so the back and front are not the same and I wear the split in the front so you can see I have a waist. I made this version when I was a little heavier. I would make it smaller now.
Again, I wear it with an undershirt, jeans, trousers, skirt and scarves. In the photo on the left I'm wearing a cheap spot scarf I bought. I cut the fringed edge and sewed on some of my massive collection of vintage lace. In the photo on the right I am wearing a crocheted scarf/shawl/shrug thing (more about that later).
This next example shows the dress with just the shorter part of the sleeve. There are no buttons on the front here, it just pulls on over my head. On the left I'm wearing a crocheted flower at the neck. On the right I am wearing a crocheted collar with the flower as a closure. I'm also wearing a pair of trousers I made from a pattern from Lisette (page 34-35).
Here it is again with long sleeves and pockets but no front opening. This is a thick velvet Kenzo fabric so it doesn't drape as much, making me look bigger but it is warm and comfortable. The pockets are great; it's a favourite for when I'm teaching kids art classes and need a hundred places to keep things. The kids always ask whether I've made what I'm wearing. They act as if it is a magic trick- girls and boys!
Lace scarf on left is pieced from scraps of vintage lace in cream and ivory. I've made loads of these elastic waist trousers. They give you a pooh-bear bottom so I wouldn't wear them without a tunic on top but they are cut so that they make your legs look as if there is a gap between them like the Japanese girls.
Here's some pictures of me with bags as if you've spotted me walking down the street. I made the one on the left from a Japanese pattern.
I'll give you more detailed shots later, I just wanted to get started with some sense of the silhouette on my figure. I should probably post these to Flickr. I'd love to see how this style of clothes looks on other real people. (Later I did go on Flickr and start a group for pictures of women modelling the clothes they've made from Japanese patterns.)
Next time I'll be discussing selecting a pattern; what are flattering styles and substituting with commercial patterns.
What should you do when you have made a mess of your studio and can't work in it?
Well clearly you should tidy it up and get on with making work.
What do you do? You clear a little corner where you can work on your computer and you decide to begin writing a novel and messing with Photoshop.
And is this what you should do? No!
What have I done?!!
I thought it would be a good idea to move my desk across my studio so that I could pick up the so-called wireless broadband connection better. Well, to move my desk I had to move all the furniture in it's path... and then I had to empty said furniture of its contents... and then I thought it would be a good idea to sort through those contents...and now I have to figure out what to do with all the stuff that is now everywhere, rendering my studio space unworkable!
What a mess!
So I didn't keep up with the February postings because I've left myself no room to sew or photograph. I promise to be running smoothly again by the first of March. Should have set that as the relaunch date in the first place.
However, I have got some pictures of wedding dresses to show you and I will address some of the questions that I've received about sewing your own clothes from Japanese books.
Last Spring, two of my good friends got married to their long term partners and I made them dresses. These are pictures of my friend Amanda and her now-husband, Hugh.
Amanda's dress was made with a red satin and a fuchsia chiffon over-layer. The hem hangs in asymmetrical squares that are embellished with tiny chiffon pom-pom beads. Any of these beads can be fastened up to several points on the seams, creating new shapes with the hem. The neckline and sleeves are in satin alone. She looked very beautiful and happy!
Sewing clothes with Japanese patterns:
Several of you wrote me saying that you used to sew clothing for yourself when you were younger and a more predictable shape. More recent attempts proved discouraging because you are no longer that shape. You must always try on the tissue and fit as you go along. You can expect a better fit in homemade clothes than store bought if you take the time to do this. I will be demonstrating this as I go along.
I also received queries about how difficult it is to follow Japanese instructions. The books that I have and will post about all have very simple shapes and the diagrams couldn't be easier. Again, I think you'll see what I mean when I post about it. I will also mention several books that you could get alongside the Japanese patterns books to lead you through the steps of dressmaking.
Another question that I worried about myself was the size of the patterns. The average Japanese women is much smaller than the average European woman. Will the patterns suit/fit you? I have always had to make a larger size than the largest pattern. I will be walking through the steps to enlarge the pattern and modeling the results. I am 5'5" and weigh lbs. I'll give you all my measurements so you can compare them to your own body shape and judge for yourself how they look. I'm not a young wisp but I think this kind of layered dressing can look good and be very wearable on many body shapes, ages and sizes.
Let me know if you have any more questions. I promise to be back in fully operational post mode by March 1st!
Welcome to the beginning of my new posts on monthly projects.
This month, February, I will be dressmaking in the studio. I could easily blog about dressmaking all year long but I'll calm down and complete a project this month.
I love to make my own clothes! I know sewing clothing seems anachronistic in these times of plentiful, cheap, ready-to-wear, but I believe there are still good reasons for making your own. I won't pretend that economy is one of them as my collection of fabric would mock me.
For this month's project I am going to work with a ready-made pattern. Albeit, in Japanese. Like many of you crafters I have a collection of Japanese craft books. I get mine from Pomadour at EBay. Look under the category for Clothing Pattern Books.
There are many to choose from. The Pochee magazines are particularly good.
I'll be back in a few days with more. I'm nursing a stomach flu today.
